I am really surprised this hasn’t come up before. In this revolutionary critique, it is suggested that Robert Johnson’s legacy of “interesting / bizarre / inexplicable tunings-that-no-one-could-ever-really-figure-out” makes a lot more sense when you play him at the speed he was actually record in…. 85 percent of the normal speed we are historically used to. Â It would explain why he is so incredibly different from his influence Son House. Â But that remains to be judged by professionals.
I am only re-reporting / aka-idiot bloggering this because I hadn’t seen a blog post that had embedded some of the old vs new.
Here is the original song “Four to Eight” “original full speed” that we have assumed was correct:
Now here is the same song at 85% speed:
What do you think? It seems obvious. This is fairly revolutionary, one may assume?
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